Picture Book is the debut album by British pop and soul group Simply Red, released in October It contains the U.S. #1 single "Holding Back the Years", the. View credits, reviews, tracks and shop for the CD release of Picture Book on Discogs. I was first exposed to SIMPLY RED in the mid 's when under "deprived" circumstances (okay, when in prison, if you must know!) A Black inmate gave me a.
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Picture Book. download Online Ian Dickson – Tenor Sax on Jericho, Sad Old Red and Heaven David Fryman – Guitar and Vocals on Open Up The Red Box. Lyrics to "Picture Book" song by Simply Red: Many types came to see the picture Many types came to see the picture Only he had the right to com. Find album reviews, stream songs, credits and award information for Picture Book - Simply Red on AllMusic - - The band finds a steady R&B groove.
What's more, my records are beautifully clean because they have received proper storage and care! Following cleaning, records are placed in new inner sleeves and the sleeve is given a new plastic outer protective cover.
The covers vary in condition but most are excellent just showing the usual signs of storage. Most have been stored in plastic protective covers. I try my utmost to provide accurate descriptions, test playing all records in their entirety.
I provide detailed photographs to illustrate the quality. A word about hairline marks. They are a result of storage and use and have little impact on sound quality. Likewise, very few original vinyl records lie totally flat. As for background noise, all records will have some background noise which varies wildly and often reflects the very variable pressing quality.
When we take this out on the road in Europe in the autumn, it's really just going to be about playing songs all over the 30 years, so we're really going to be reflecting on the whole career. Hucknall: Oh, that's great that you did, though. The guys who wrote it John and William Valentine were two songwriters in Los Angeles, and they were so grateful.
Rhino: Do you remember how you first came across the Valentine Brothers' original single? Hucknall: Well, I used to DJ. I was a DJ from about until , and I used to run a night in Manchester called Black Rhythms, so we'd be playing a lot of recent releases as well as a lot of old funk from the '60s and '70s. All manner of stuff, really. Some African-American music, some Jamaican music, some African music. And that was one of the ones that I kind of found when I'd been going to record stores.
Hucknall: It was just an idea we had of doing a different take on the song.
I always loved the song, and we just kind of wanted to do sort of more of a soulful interpretation of it. Hucknall: Well, it was an accident in America, you know? I don't think I'm afraid to say that the record company themselves can't take a whole lot of credit. In fact, I'd say that more credit should go to Huey Lewis and the News than anybody at Elektra at the time.
The story goes that these guys had done a European tour, and they'd also worked with Stewart Levine, my producer. It just came out of the west coast and got bigger and bigger…and the record company didn't know what to do!
It wasn't part of the plan, you know? So that immediately was an amazing thrill, to get a 1 in America, but it was a bit odd. It was kind of, like, they weren't really behind it in the first place, and it just seemed a bit discombobulated somehow.
Simply Red - Picture Book lyrics
But it's incredible how well it did, considering that. Rhino: How do you look back at the Men and Women album? Hucknall: Well, Men and Women was probably the most difficult album I had to make, because I was having to deal with a lot of internal politics within the band and within the production. And that made that very difficult, because it was emerging that I seemed to be the only guy in the band who could write any songs.
It created tension immediately once they realized that the guy who makes most of the dosh - the money - is the songwriter. And then, of course, they all want to start trying to write songs, which is great…if they're good. But nobody ever came up with them, according to my manager.
And it just created a different kind of tension that made it very difficult to identify us as a band. You know, from growing up in the northwest of England, my idols were the Beatles, so I was hoping in my music career that it was going to be modeled on something like the Beatles: a bunch of guys, buddies, and they all turn out to be really talented and amazing.
But that only happens, like, once every billion years!
I almost quit, actually. Because I'd written the songs, and I was writing all these other songs, but now I felt like I was almost now being punished for it!
So it's a long story, but it was an unhappy album, that's for sure. Rhino: Was it at least worth it for having gotten the opportunity to write with Lamont Dozier? Hucknall: That was the first thing that just came into my mind!
You know, the actual writing process of the album, I enjoyed, but when it came to going into the studio… Because I've always been very interested in sound and production and stuff, and I made it very clear to Stewart Levine at the beginning of my career that I had ambitions in that way, and I was here to learn. And I said the same thing to Alex Sadkin on the second album, but once I'd made that statement, he seemed to do everything he could to undermine me in the band.
And that suited the band, too, because they were kind of being a bit odd because they'd realized that I was making more money than they were.
Hucknall: Yeah! And also I really was going back to listening to lots of Philadelphia sounds. Again, I still was romantically dreaming of being in some kind of a band in the '60s definition of it, and I wanted to guide the band into the direction of using the Philadelphia sound and the Barry White and Marvin Gaye sounds as more of an influence.
A slightly more polished sound. So that's what we were going for with A New Flame. We still perform that song.
Hucknall: No, I think they thought that was a sure-fire hit. But what they were doing, they were selling the single, but they weren't pushing the album.
They weren't spending money on the album, and consequently we weren't getting the proper support that was actually making it financially feasible for us to tour America, so we couldn't actually afford it. And that's when we realized we were making far more of a living in Europe. And then there also came this kind of catch where, when you release an album, if you don't release it first in America and come promote it, then they're going to punish you for releasing it in Europe first.
Three other singles were released from the album: Reviewing the re-release for Q , Nick Duerden described Picture Book as "the most accomplished debut of its year".
He said of Hucknall, "With the most prodigious voice this side of Motown and a burning socialist heart, here he infuses everything with a passion that he's rarely matched since. Robbins noted rock and jazz sounds, along with soul influences. The album was commercially successful, appearing in the top 30 album charts of twelve different countries, and achieving platinum certification sales in four different countries, including the United States and United Kingdom.
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From Wikipedia, the free encyclopedia. Simply Red.
Pop rock soft rock blue-eyed soul. March "Come to My Aid" Released: August "Jericho" Released: February " Holding Back the Years " Released: July Billboard  Retrieved 25 June The Encyclopedia of Popular Music 5th concise ed. Omnibus Press. Picture Book ". The Village Voice. Picture Book".
SIMPLY RED / PICTURE BOOK..
In Dimery, Robert ed. Hachette UK. Australian Chart Book — St Ives, NSW: Australian Chart Book. Hung Medien in German.Hucknall: Well, Men and Women was probably the most difficult album I had to make, because I was having to deal with a lot of internal politics within the band and within the production.
LOG IN. I say that because, as you well know, that's unfortunately more or less the case in America.
What I’ve Been Listening To: Simply Red/Picture Book
It was kind of, like, they weren't really behind it in the first place, and it just seemed a bit discombobulated somehow. And it's that conviction that is really the reason why Picture Book still sounds great a quarter of a century later: It was all very political, you know? You get pressure from the record company to release an album every two years, you have to go on tour and I knew that wouldn't stop, so I said to my manager, 'I don't want to do this any more'.
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